Crown Red Editorial
Narrative that demanded to exist.
Sagas, standalones and complete worlds — stories that do not fit the map.
Worlds that come without instructions.
La Rama Editorial
Dark fantasy, mythology and narrative that builds its own territories before inviting anyone in. Sagas with original worlds and standalones that need no prior context — each piece stands on its own.
Literature for the reader who is done with genres that replicate themselves. There is no prior map here — every story demands that the reader be willing to find their own way.
A note before you enter.
I don't write to build worlds — I write because the worlds already exist and someone has to be honest about them.
very story here was born from a place that had no name until the words named it.
Crown Red Editorial is the record of everything that could not stay inside — of everything that demanded to exist.
Little Day: Historias de Zagreo
The underworld keeps the stories nobody wanted to take with them.
Zagreo descends into the most forgotten corners of the underworld — not to escape, but to listen. The restless souls that inhabit those margins have stories the living world never knew or chose to forget. Historias de Zagreo is an archive chapter: a collection of accounts gathered by someone with access to the dead and the patience to question them, where each story is a fragment of the Little Day universe told from its edges.
Adefagia
To devour oneself as an act of love.
Adefagia doesn't arrive to comfort. It arrives to name what has no clean name: stress as hunger, emptiness as appetite, the impulse to hurt oneself rewritten as physical need. Cannibalism becomes language — the bite the only honest way of saying something hurts so much the body becomes emotional territory. A poetic descent that offers no exit, but something harder to find: recognition.
Psycodead
The world before the story put it in order.
Big Night
The threat doesn't come from below. It comes from above.
Knight Crossroads
Purifying the world isn't a threat. It's a responsibility nobody else wanted to carry.
The Little Snake In The Village
The hero who saves his village doesn't know what the world is yet.
Himeneo knows his village, its edges, and his place in it. When a threat brings it to the brink of destruction, he makes the only decision he can: leave. What he finds outside isn't the world he imagined — it's one that doesn't distinguish between courage and naivety, and won't wait to explain itself. The Little Snake in the Village is the story of the first step away from home, and everything that step costs.
The Seed
Millions of years of patience. A pull toward the sun it couldn't stop.
A seed watches. Civilizations rise, collapse, and disappear while it remains — a voiceless witness to eras the world no longer remembers. Its existence is pure patience until something alters it: a growth it didn't ask for, a scale with no ceiling, a pull toward the sun it cannot stop. The Seed is a story about time, consciousness that wakes without permission, and the cost of transcending when no one asked you to.
Amanda
Existing was already threat enough.
Amanda was born with a power the world couldn't read and decided to contain. They locked her away. When something greater frees her, it doesn't make her a hero — it just gives her what she never had: movement. She wanders, uses her gift only to defend herself, and learns that freedom in a world that fears you isn't peace — it's managed distance. Amanda is a story about isolation, not as a consequence of power, but as its fixed price.
Gotas de Amargura
Being born bitter isn't a metaphor. In this world, it's a verdict.
In this world, identity isn't built — it's assigned at birth by flavor. Sweet, spicy, bitter, salty, umami: a label that defines privilege, rejection, and destiny before a person can decide anything. A group of characters tries to survive within that system — and at some point, question it. Gotas de Amargura is a dystopia that doesn't happen in the future or a distant place, but in the everyday, where the most violent injustice is the one nobody notices because it was always there.
Cartas
Poems that didn't wait to be written. They just insisted until they were.
Bad Lucky: Misterio en el internado
The truth was there. She should have left it alone.
Leticia Edword arrives at a boarding school where everything works — too well, too quietly. The evasive looks, the absurd rules, and the calculated silences aren't atmosphere: they're warnings nobody says out loud. Determined to piece it together, Leticia starts pulling threads that didn't want to move. Bad Lucky is a story of dangerous curiosity where the mystery doesn't resist being solved out of stubbornness — it resists because solving it has a cost, and that cost might be her.
Crimson World y los dragones liberados
The border was a safe line. Until the dragons remembered they existed.
Britannia Choules knows her job: hunt monsters, contain the impossible, hold the border where no one else wants to be. She's a royal guard, she's an elf, she's good at what she does. But dragons shouldn't exist — they're legend — and they're appearing in the forest. When what was supposed to be extinct starts moving, Britannia's routine stops being routine. The Liberated Dragons opens a saga where duty collides with ancient forces that don't recognize borders, and where the epicenter of disaster turns out to be exactly the place she swore to protect.
Toxina: La Conquistadora
An empire with no internal borders. The universe doesn't know it's next yet.
Toxina rules her planetary system with absolute authority — an empire built on her father's legacy and held by an army that doesn't question. There's no threat within her borders because within her borders there's nothing left to conquer. When a greater force offers expansion beyond them, the question isn't whether she can — it's whether something as large as the universe has a way to answer back.